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French poetry was a determinant influence in Dario's formation as a poet. In the first place, the romantics, particularly Victor Hugo. Later on, and in a decisive fashion, Dario was influenced by the parnasians. The final defining element of Darianian esthetic is his admiration towards the simbolists. Recapitulating his own poetic trajectory in the initial poem of Cantos de vida y esperanza (1905) Dario himself synthesized his main influences when he affirms that he was "strong with Hugo and ambiguous with Verlaine" ("con Hugo fuerte y con Verlaine ambiguo".)
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